Nine Synth Records Designed to Scare

Horror Synth

Traditional instruments can certainly create creepy music. Still, there’s something about the artificial nature of synthesizers that lends itself to telling scary stories through sound. Many composers that gravitate towards the device also gravitate towards the realm of horror—possibly because they absorbed the groundbreaking soundtrack work of John Carpenter and Goblin, or possibly because both things appeal to outsiders. Whatever the reason, you can find a plethora of imaginary soundtracks, concept albums, and occult hymns with one goal in mind: ruining the listener’s sleep. Here are some of the best synth artists that are focused on freaking you out.

Chris Alexander
Blue Eyes of the Broken Doll

As former editor-in-chief of Fangoria magazine and a filmmaker with a bunch of movies that contain the word “blood” in the title, Chris Alexander knows a thing or two about horror. His latest album, named in the ornate tradition of Italian giallo horror films (The Perfume of the Lady in Black, The Red Queen Kills Seven Times, The Black Belly of the Tarantula), follows a couple of solo releases and several soundtracks. Befitting Alexander’s experience, Blue Eyes of the Broken Doll builds suspense in a variety of ways. From Carpenter-esque minimal synth pieces like “Paranoiac” to unsettling field recordings like “High Bright Sun,” Alexander stays consistent to his overall tone while shining a light through different aspects of fear.

Stefan Bachmeier
Anomaly on Meadow Lane

Anomaly on Meadow Lane supposedly consists of lost tapes from a reclusive pulp author, but most likely it’s ambient/electronic musician Stephen Buckley (aka Polypores) having fun in Lovecraft country. Whether it’s Buckley or “Bachmeier,” he uses a repetitive Tangerine Dream-style kosmische approach that separates this from the usual John Carpenter worship (not that Carpenter’s not a fine deity to venerate). It creates a weird, subconsciously disturbing mood through the otherworldly sequencers and repeated motifs. Synthesizer sounds aren’t found in nature; this mysterious musician makes it seem like they’re from another dimension entirely.

Erang
Songs of Scars

Erang

The enigmatic dungeon synth artist Erang mostly haunts medieval catacombs, but he occasionally emerges to pay homage to the horrors of the modern age. A continuation of the Anti Future album cycle, Songs of Scars relocates his setting, themes, and characters to an alternate future of his epic fantasy universe, reborn through the lens of King, Cronenberg, and Carpenter, chock full of creepy vibes and old-school synthesizer tones. In context, it’s an impressive reimagining; out of context, it’ll still have you glancing over your shoulder at night.

Gregorio Franco
The Dark Beyond

Gregorio Franco understands that there’s nothing more terrifying than man’s insignificance within the vastness of the cosmos. The Dark Beyond takes the listener where no one can hear them scream. Franco’s harder-edged synthwave takes a more aggressive approach to evoking fear, going for more of a visceral reaction than a psychological one as he attacks from all sides. Of course, he knows when to dial it back with more atmospheric pieces and let the void speak for itself. It doesn’t say anything comforting.

Hexenkraft
The Infernal Schism

Hexenkraft claims to hail from Hell, Michigan, and he seems to love death metal and the soundtrack to the video game DOOM. This neon demon slams together screaming guitar, chiptunes, and primitive-feeling synth plug-ins, making this EP feel like the soundtrack to a DOS game from the Stygian depths. As with a lot of other artists in this style, he seems fascinated by the intersection between the occult and technology, and he summons the devil at those crossroads. The Infernal Schism ticks all the boxes. It’s retro. It’s evil. It has a cover model an outer space Marine wouldn’t want to face, even armed with a BFG-9000.

Nightcrawler
Beware of the Humans

This Spanish producer doesn’t have to look far to find a subject: Beware of the Humans posits that the sum of all fears looks very much like us. No rubber monsters, no eldritch terrors, no masked murderers; just people. Although it can be hard to tell that he’s specifically taking aim at mankind without looking at the song titles, this pulsating dark synth certainly captures a sense of dread about something. “Nation of Trash” and the blunt “Warfare” leave little illusion as to where the real threat lies.

Occams Laser
Occult 87

Occams Laser

Occult 87 acts as the Stranger Things 2 to Occult 86’s first season, picking up the tale one year later. It follows an attempt by a mysterious cult to control the populace using music. Sure, why not? Even though it only comes a year later, 87 feels much more polished, no doubt helped by the artist’s prolific output. Occams Laser advances the narrative through both voiceover and some unobtrusive vocals over the Perturbator-style synthwave, but considering that he tackled Dante’s entire Divine Comedy in synth form, he knows how to tell a story.

Terrortron
Orgy of the Vampires (Original Soundtrack Recording)

Not actually an original soundtrack recording, Orgy of the Vampires is the latest imaginary score from Anders Manga. Better known as the driving force behind occult rockers Bloody Hammers, Manga has been putting out solo darkwave recordings since 2004. Terrortron is his fake soundtrack side project, and he brings a real appreciation for goofy grindhouse schlock to the proceedings. He gets to indulge here in a way that he doesn’t always let himself in his rock outfit. Just listen to “Feast on the Priests” for some spine-tingling fun. Elvira would approve.

VHS Glitch
Roboror and Demoniac

VHS Glitch

Like pumpkin spiced flavoring, a new Halloween release from VHS Glitch has become an annual tradition. He’s been cranking them out for the last four years, and the last two, Roboror and Demoniac, are the strongest yet. Roboror is more for fans of killing technology, a claustrophobic sci-fi horror piece evoking the terror of hiding from homicidal robots in a nightmarish cyberpunk complex a la Death Machine or Hardware. Demoniac appeals to those who like jamming with Baphomet, painting pentagrams with guitars and organ tones. Two different flavors of terror; both delicious.

-Jeff Treppel

7 Comments

  1. Posted October 21, 2018 at 11:43 am | Permalink

    Just wanted to let you know that this year wasn’t an exception.
    Here another Halloween Special.
    https://vhsglitch.bandcamp.com/album/they-made-me-an-animal

    Much love
    VHS Glitch

  2. antfactor / copepod
    Posted October 9, 2018 at 9:50 pm | Permalink

    Totally agree with JBBS: great list of artists that con do SERIOUSLY creepy stuff. Huge Coil fan. If you veer toward dark ambient, you might enjoy some of my tracks as copepod. cheers. https://www.reverbnation.com/copepod

  3. Posted January 9, 2018 at 7:23 am | Permalink

    @JBBS loving your mentioned stuff in general, especially the Current 93 one :)

  4. Posted January 9, 2018 at 1:14 am | Permalink

    @JBBS Do you mean COIL, like COIL – Time Machines? Loving it this far.

  5. JBBS
    Posted January 7, 2018 at 1:32 pm | Permalink

    Nothing scary about those songs… maybe check Coil, Nurse With Wound, Legendary Pink Dots, Current 93 (Special Plan for this world is one of the creepiest tunes ever)

  6. Rich
    Posted January 4, 2018 at 10:18 pm | Permalink

    cheers! also suss out Crypt Vapor from Tasmania

  7. Posted January 3, 2018 at 8:57 am | Permalink

    you guys forgot Gun Boy

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s