Tag Archives: Ty Segall

Big Ups: John Dwyer and Matt Jones Pick Their Favorite Castle Face Releases

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Castle Face Records, the California DIY label co-owned by Oh Sees mastermind John Dwyer, Male Gaze frontman Matt Jones, and their friend Brian Lee Hughes, is most commonly associated with the last decade’s wave of psychedelic garage rock. They released the first Ty Segall album, cosigned King Gizzard & the Lizard Wizard right before they broke out, dropped a seminal White Fence record, and have released nearly every Oh Sees (sometimes self-referred to as Thee Oh Sees, The Oh Sees, or OCS) album since the label formed in 2006.

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Album of the Day: Ty Segall, “Freedom’s Goblin”

Over the past decade, Ty Segall has established himself as one of garage rock’s most loyal ambassadors, releasing an album’s worth of expertly-crafted odes to his ‘70s, ‘80s, and ‘90s forebears roughly once a year. On Freedom’s Goblin, Segall’s expansive, deeply ambitious record, the multi-instrumentalist crystallizes a career’s worth of musical reference points into an altogether fresh pop-rock statement. Continue reading

A Guide to Drag City’s Essential Releases

Drag City

Of the many labels that spurred the indie rock (philosophy, not brand) heyday of the early ‘90s, few have stuck to their guns as thoroughly as Drag City. Owners Dan Osborne and Dan Koretzky, who formed the imprint in 1990, have welcomed a diverse range of artists into their fold over the past 26 years, but they’ve never chased the next big thing.

Instead, they’ve stayed loyal to their musicians, allowing them to change and grow without commercial pressures. So many Drag City artists have made multiple excellent albums for the label that it’s tough to choose their respective peaks. And though most share a love of classic rock and folk forms, no two musicians on the label approach those in the same manner.  

If there’s a Drag City “sound,” it’s probably the idiosyncratic voice—a singer who finds a new way to tell musical tales. Will Oldham, Jennifer Herrema, Bill Callahan, Joanna Newsom, David Berman—it’s almost impossible to think of anyone else who sounds like any of them.

To welcome Drag City to Bandcamp, we’ve chosen nine of the label’s most iconic, enduring releases.

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Listen to the Death by Audio Live Compilation in Full

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Ty Segall. Photo by Ebru Yildiz

Independent show spaces open and close across the country almost every month, but the shuttering of the Brooklyn venue Death by Audio in 2014 was a particularly painful sting. This is largely because the venue didn’t lose its lease to luxury condos or corporate chain stores, but to VICE, a publication that had, on its surface, long attempted to align itself with counterculture and the underground. A film about the venue’s final days, Goodnight Brooklyn, depicts VICE as tyrants and mercenaries, consistently making the venue uninhabitable in order to drive the founders out before the agreed-upon end date. The whole situation felt bitterly ironic: a large corporation that prided itself on a sense of cool actively working to unseat a venue that was, to many, the epitome of punk counterculture.

Two years later, the venue’s legacy still looms large. The triple-LP compilation Start Your Own Fucking Show Space, which we’re premiering today in full, collects notable performances from the venue’s final days, and comes packaged in a gatefold sleeve that unfolds to replicate Death by Audio’s interior, right down to the custom murals by local artists on the stage and walls. (The center panel is a picture of the stage, the left panel is the left wall, and the right panel is the right wall; if you raise the sleeve to your head, it feels like you’re standing in the space.)

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