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Sarah Louise’s Cosmic Guitar

Sarah Louise

Finding inspiration in the woods and hills around her home in Asheville, North Carolina, 12-string guitarist Sarah Louise imbues her music with a free-flowing, organic quality. Her melodies snake through tributaries and counter-tributaries before building to swirling clusters of tone.

She’s not entirely alone out there. The “solo acoustic guitar” format has been enjoying a renaissance of late, with players like Daniel Bachman and Glenn Jones releasing quietly successful albums full of robust, fingerpicked compositions. Fingerstyle troubadours like Ryley Walker and Steve Gunn have taken the form overground, writing songs that pay homage to the patron saints of the genre: Bert Jansch, purveyor of the florid, left hand-focussed British style of folk baroque, and John Fahey, pioneer of the thoroughly rhythmic, right hand-focussed American Primitive genre. And, indeed, most modern practitioners of the genre tend to oscillate, to varying degrees, between those two figureheads. But Sarah Louise, who creates her own tunings and crams a dozen rhythmic, harmonic, and melodic ideas into any one composition, opts instead to transcend them. As Louise notes, “John Fahey’s writings about the need to master your guitar the way you need to master a woman really put me off. So I never wanted to try to sound like him.”

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