Tag Archives: The Gaslamp Killer

David Harrow Lived Through Punk, Post-Punk, New Wave, Industrial, and Dub Reggae but Isn’t Stopping Anytime Soon

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Adopted Los Angeleno David Harrow has been around the block a few times, but his passion for new possibilities in electronic music shows no sign of dimming. Under his prolific Oicho guise, he’s explored deep dub reggae roots, with a futurist sheen. But the latest Oicho tracks have moved further from reggae tonality and into more abstracted, ritualistic experiments with percussion and space that put him closest to bass music mavericks like Shackleton and Kode 9. All of this, though, is informed by a musical history that stretches back over three decades, and has been colorful, to say the very least.

While still in his teens, at the end of the ‘70s, the east Londoner got swept up in punk and post-punk, playing keyboards with the likes of Genesis P-Orridge’s Psychic TV, Jah Wobble and new wave poet Anne Clark. Always footloose, he spent time in Berlin—in the orbit of industrial godfathers Einstürzende Neubauten—and San Francisco, where he became a house keyboardist/producer for Razormaid Records, including on records by disco icon Sylvester. Later, back in the UK, he fell in with the On-U Sound collective around Adrian Sherwood, regularly working in the studio and on stage worldwide with Lee “Scratch” Perry, Mark Stewart, Bim Sherman and many more. Their work ethic was boggling, their output was stupendous in its volume and influence, but the collective was also chaotic and as dedicated to living on the edge as to sonic innovation.

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The Year in Photos

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Illustration by Valentina Montagna.

When we started Bandcamp Daily, one of the things we knew we wanted—in addition to great writing—was great photos. And while the results of an interview end up clearly on the page, the process behind capturing great, unguarded moments can be somewhat opaque to those of us unfamiliar with the art. With that in mind, we reached out to the photographers behind some of the stories that appeared on Bandcamp Daily over the last six months and asked them to share their memories of the process.

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Biggest Ups: 23 Artists Share Their Bandcamp Picks

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Illustration by Valentina Montagna.

When we launched Bandcamp Daily, one of the features that was met with the greatest amount of enthusiasm right out of the gate was Big Ups. The concept was simple: we asked artists who used Bandcamp to recommend their favorite Bandcamp discoveries. So, in honor of our Best of 2016 coverage, we decided to take Big Ups and super-size it. We asked 23 artists to recommend one album they can’t stop playing.

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The Best Albums of 2016: #60 – 41

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If there’s one thing we learned since we launched Bandcamp Daily this past June, it’s that the world of Bandcamp is enormous—encompassing everything from emo in China to cumbia punk in Tucson, Arizona to just about everything in between. So narrowing our Best Albums of the Year down to 100 choices was a daunting task. This week, we’ll be sharing our picks, 20 at a time, until we arrive at the top spot on Friday.

More “Best of 2016”:
The Best Albums of 2016: #100 – 81
The Best Albums of 2016: #80 – 61
The Best Albums of 2016: #40 – 21
The Best Albums of 2016: #20-1

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