Tag Archives: The Beths

The Best Albums of 2018: #20 – 1

best of 2018 20-1Let’s be honest for a second: No one clicks on these lists for the introduction. I don’t blame them! This is usually just the place where some routine throat-clearing goes, before we get to the main event. It’s also the place where I confess to the amount of anxiety involved with putting together a list like this—last year, I said, “Right now, there’s probably someone in their bedroom in Buenos Aires, making a record on their computer that is going to end up on next year’s list. So as comprehensive as we’ve tried to make this list, we realize that, even at 100 albums, we’re only scratching the surface of what’s available.” Guess what? That’s still true in 2018. That said, the albums that made the cut, to us, represent the breadth and scope of the many worlds available to discover on Bandcamp, and feel like the best musical summation of the last 12 months. When we make this list, we’re not only trying to assess the year’s best music, we’re also trying to tell the story of 2018, album by album, song by song. As always, being a part of Bandcamp Daily in 2018 was a true joy; we took a look at Extratone, the world’s fastest musical genre, got familiar with the New Face of Death Metal, and spent time with artists like Yugen Blakrok, Suzanne Ciani, and Kamaal Williams. Once again, the world of music is bigger than any one list can possibly contain, so consider this a starting point on the neverending journey to discovering new sounds, new scenes, and new voices. Alright, that’s enough throat-clearing. Let’s get to the list.

—J. Edward Keyes, Editorial Director

Best of 2018 Schedule:
December 10: #100 – 81
December 11: #80 – 61
December 12: #60 – 41
December 13: #40 – 21
December 14: #20 – 1

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The Best Albums of Summer 2018

Quarterly Report

To describe this summer as “turbulent” would be an understatement. And while you could say roughly the same thing about the spring and winter before it, something about the ever-present sense of global unease, coupled with (depending on where you live) oppressive heat made three months that are usually associated with beach parties and cookouts feel especially fraught. As always, though, there is music—not only to be a comfort and a lifeline, but also to be a vehicle to discover new perspectives, and to learn to look at the world through someone else’s eyes. As always, the albums in this list represent a wide range of sounds: there’s an album that fuses death metal and jazz, a meditative hip-hop record with soul-searching lyrics, a vibrant indie rock record made by four classically trained musicians and much, much more. These are our Best Albums of the Summer.

Read Bandcamp’s “Best Albums of Spring 2018
Read Bandcamp’s “Best Albums of Winter 2018

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This Week’s Essential Releases: Hip-Hop, Post-Punk, Experimental Soul, and More

7 essential

Welcome to Seven Essential Releases, our weekly roundup of the best music on Bandcamp. Each week, we’ll recommend six new albums that were released between last Friday and this Friday, plus pick an older LP from the stacks that you may have missed.

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Album of the Day: The Beths, “Future Me Hates Me”

Few bands make angst sound as joyous as the Beths do on their debut LP. As its title suggests, the album is full of songs of both regret and self-doubt, but the group deliver them with some of the strongest power-pop this side of Weezer’s Blue Album. The New Zealand quartet—who studied jazz together in Auckland—have a penchant for writing massive choruses that crash like tidal waves, and their songs are as tightly-wrought as they are relentless. On the belligerent breakup track “Uptown Girl,” frontwoman Elizabeth Stokes calls down the wrath of the gods (and a glass of poisoned wine) on a crummy ex as her band yank her from one full-octane hook to another, emphasizing her own frenzied urge to “drink the whole town dry.” Later, in “You Wouldn’t Like Me,” a sunny doo-wop arrangement and crisp backup vocals serve as a foil for Stokes’s harshest self-indictment: “You wouldn’t like me if you saw what was inside me.”

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