Tasha Viets-Van Lear, who records music simply as Tasha, believes unapologetic black love is crucial for black liberation. An activist with BYP100 as well as a musician, Tasha weaves the political with the personal, promoting inner power. Her music focuses on love as a force against societal institutions that would prefer black people hate themselves and their skin. The poetic, thoughtful “Divine Love,” the title track from her 2016 EP, sets forth her ethos with warmth and passion: “I want a song that’s gonna tell me I can love myself/ But not for the purpose of being better at loving someone else/ Got all this light around me/But I can’t see it through this haze of my own insecurity/ This fear in me that I can’t glow from the inside out/But naturally, see, I got moonlight spilling from my mouth.”
Tasha’s a regular on the Chicago scene, playing often, sometimes with a full band—a powerhouse group of talented musicians whose members also play alongside Jamila Woods, Noname, Ric Wilson, Kaina, and more. While she hasn’t released anything since last year’s Divine Love EP, there’s a lot more in the works—music videos, a new website, and new music. Right now, she’s concentrating on building a robust foundation before releasing anything new.
We sat down with Tasha over tea at her Chicago home and talked about her processes, self-actualization, anger and joy, community and activism, journaling, and her music.