Tag Archives: JPEGMAFIA

Big Ups: John Vanderslice Picks His Bandcamp Hip-Hop Favorites

John Vanderslice

Photo by Sarah Cass

John Vanderslice is a rap fanatic. He constantly seeks out the newest voices in the genre, and proselytizes his friends on the wealth of sounds and songs available to discover. But despite his intense love of the music, he’s aware of his own limits as a songwriter. “I don’t think I’m capable of bringing in a lot of what I like in rap [to my own music],” he says. “When I hear J.I.D or EarthGang, who I think are technically very good rappers, I realize the distance between what I can do and them, in a way that doesn’t happen with, say, Celine Dion. When I hear really complicated rap cadences, there’s something in my heart that’s like, ‘God, I will never be able to touch that kind of complexity.”

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The Best Albums of 2018: #20 – 1

best of 2018 20-1Let’s be honest for a second: No one clicks on these lists for the introduction. I don’t blame them! This is usually just the place where some routine throat-clearing goes, before we get to the main event. It’s also the place where I confess to the amount of anxiety involved with putting together a list like this—last year, I said, “Right now, there’s probably someone in their bedroom in Buenos Aires, making a record on their computer that is going to end up on next year’s list. So as comprehensive as we’ve tried to make this list, we realize that, even at 100 albums, we’re only scratching the surface of what’s available.” Guess what? That’s still true in 2018. That said, the albums that made the cut, to us, represent the breadth and scope of the many worlds available to discover on Bandcamp, and feel like the best musical summation of the last 12 months. When we make this list, we’re not only trying to assess the year’s best music, we’re also trying to tell the story of 2018, album by album, song by song. As always, being a part of Bandcamp Daily in 2018 was a true joy; we took a look at Extratone, the world’s fastest musical genre, got familiar with the New Face of Death Metal, and spent time with artists like Yugen Blakrok, Suzanne Ciani, and Kamaal Williams. Once again, the world of music is bigger than any one list can possibly contain, so consider this a starting point on the neverending journey to discovering new sounds, new scenes, and new voices. Alright, that’s enough throat-clearing. Let’s get to the list.

—J. Edward Keyes, Editorial Director

Best of 2018 Schedule:
December 10: #100 – 81
December 11: #80 – 61
December 12: #60 – 41
December 13: #40 – 21
December 14: #20 – 1

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The Best Albums of Winter 2018

quarterly report

The first three months of the year have already given us an abundance of great records—arguably more than one roundup can possibly include. The 25 albums on this list contain a whole universe of sounds, from pummelling drone to rollicking indie rock, from thought-provoking hip-hop to Spanish synthwave. These are the Best Albums of Winter 2018.

Read last year’s edition of “Best Albums of the Winter”

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On “Veteran,” Rapper JPEGMAFIA Revels in Creative Freedom

JPEGMAFIA-1244

Baltimore rapper JPEGMAFIA is prone to a very particular kind of audacity. In 2015, when his home city was under curfew following the uprising after Freddie Gray’s death, he ventured through its streets after hours to record sounds for his Darkskin Manson EP. That nerviness extends to his song titles—“I Just Killed A Cop Now I’m Horny,” “I Might Vote 4 Donald Trump,” and “I Cannot Fucking Wait Until Morrissey Dies.” Blending Baltimore club and experimental rap, JPEGMAFIA seems to revel in anarchy, and his burgeoning fanbase indicates that he’s managed to find an audience hellbent on the same.

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This Week’s Essential Releases: Sludge Rock, Hip-Hop, French Synth, and More

seven essentials

Welcome to Seven Essential Releases, our weekly roundup of the best music on Bandcamp. Each week, we’ll recommend six new albums, plus pick an older LP from the stacks that you may have missed.

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