Los Angeles artist Sepehr Mashiahof, who records and performs as The Bedroom Witch, uses catchy, danceable electronic music as a vehicle to explore—and to heal from—personal trauma. Her presence, both on and off-stage, is both soothing and quietly confident—she almost seems to glide instead of walk. Her performances, often accompanied by background projections she makes herself, are designed to inspire her audience to move. “I want all the struggling, beautiful freaks with whom I exist to find comfort in whatever way resonates with them individually through this other world that I designed for myself a long time ago.” she says, “This album is for them—it’s for us. and for our collective healing. Not for anyone else.”
As Mashiahof sees it, the sense of alone-ness that often comes with being socially marginalized can be both physical and metaphysical—which is why that dancefloor can be such a regenerative space. All of that feeds into the music she makes as Bedroom Witch. “My feelings of isolation from society definitely inform why I chose to set the Bedroom Witch [project] in a detached bedroom, floating somewhere in space and time,” she says.
The first full-length by The Bedroom Witch is set to come out on L.A.-based Practical Records, who have previously released work from Jeepneys, Julius Smack and Wizard Apprentice. The album, bluntly titled Injury, is due for tape release on April 21st. The album is a testament to Mashiahof’s fragility, vulnerability, and resilience in a world that sometimes refuses to make space for her. “My intention with this album,” she says, “was to source my own traumas and to confront them lucidly, in an attempt to make peace with the fact that they’ll never really go away.” The album feels simultaneously present, prophetically futuristic, and indebted to ‘80s dystopian cinema. Mashiahof’s dark electronics foreground her personal lyrics, where she calls upon those on the margins to imagine a future where they play a leading role. “When I think of Injury,” she says, “all I see is a vast land of volcanoes, statues, white balloons and shattered hourglasses scattered along seashores looking out into nothingness. That’s where I’ve been, and now I’m looking for the ones who dropped me off here and erased my memory.”
We talked to Mashiahof at length to explore this vision further.