It’s hard to tell where Gabriel Garzón-Montano’s studio ends and his bedroom begins. There’s a fully-assembled drum set nestled in the bottom of the singer/producer/instrumentalist’s closet. An array of synthesizers, keyboards, and speakers occupy most all of his desk space. And, behind the door, looming over the room, are a stack of black crates filled with exotic percussive instruments—from the tiny Brazilian tambourine that graced “Keep on Running” to the Tibetan bells that open “Fruitflies,” a track from his upcoming LP Jardín. In an age of sample-pack and VST-based musicians, the presence of so many tangible analog instruments is refreshing. Of course, there’s a laptop too; it sits atop a vintage Oberheim synth on his desk. But, it’s clear that when Garzón-Montano says he plays everything in most of his songs, he really plays everything.
The walls of Garzón-Montano’s bedroom studio are adorned with a similar blend of music and personal mementos. Most notably, amid the concert flyers, vinyl LPs, and pictures of his idols (including an ornately-framed pencil drawing of Lil Wayne), are portraits of his parents. His French mother’s knowledge of classical harmony and Colombian father’s love of cumbia rhythms pulse through his music. In the end, Jardín’s 10 tracks of genre-bending soul play much like his room looks—the work of a man with as many talents as sources of inspiration.
Ironically, working from home is difficult for Garzón-Montano. “It’s something I’ve resented.” he says as we discuss the years he’s spent writing Jardín in his room, “I’ve loved going to studios or leaving my place to work.” It’s hard to imagine he’ll be spending much time at home in the upcoming months. Bishouné: Alma del Huila, Gabriel’s first EP, sent him on a world tour opening for Lenny Kravitz, then to California to sign with Stones Throw Records. Jardín is set to propel him even further. The question is no longer how far, but how high?
In the days before his debut LP’s release, we talked with Garzon-Montano about how Jardín came together, and his efforts to grow as a performer.