Noah Klein keeps a mantra pinned to the top of his Twitter account as both a notice to followers and a reminder to himself: “Be present, redefine family, nurture community, prioritize abolitionism, dismantle white supremacy, destroy intolerable systems.” That same mantra informs his work in his ambient solo project, Cuddle Formation, and the sentiment runs throughout his latest album, Here I’ll Be Forever.
Written as a soliloquy to transformative justice and chosen communities, Here I’ll Be Forever is an assemblage of soundpieces recorded over three years in various DIY spaces across the country—places like Dreamhaus in Allston, Silent Barn in Brooklyn, Rhinoceropolis in Denver, and Pehrspace in Los Angeles. They’re spaces dedicated to creating a safe space for marginalized people, operating well outside the conventional commercial concert industry. In the liner notes, the album is dedicated to “everyone we lost,” which feels like a quiet nod to Oakland’s Ghost Ship fire.
Over the course of his travels, Klein amassed a series of field recordings that he would later use as instrumentation (the sound of a snare on the record came from a sample of a frozen pizza hitting the Silent Barn floor.) Here I’ll Be Forever is a record that would have been impossible without an underground community that shares Klein’s values, and the finished product serves as both a documentation of and a tribute to their existence.
We spoke with Klein about the concepts that inform his work.