Tag Archives: GAS

Michael Mayer and Kompakt’s “Total” Compilation Series

Michael Mayer

Michael Mayer by Frederike Wetze.

Over the last two decades, Kompakt has gone from being an obscure imprint that released music by its founders and their friends to being one of the most celebrated labels in electronic music. Originally a Cologne-based record store, they’ve released dozens of albums and hundreds of singles since 1998. The “Kompakt style” covers a broad range, but minimal techno is at its core—its releases have enough hooks that make the music ideal for listening at home, while walking around, or cruising behind the wheel. Driving at night with a Kompakt release on the car stereo is like being beamed into your own private Michael Mann movie.

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Ten Records that Blur The Line Between Electronic and Classical Music

Murc of Wagner

Murcof x Vanessa Wagner by Pierre Emmanuel Rastoin.

Considering how closely aligned electronic and classical music have been for decades—from string-laden samples and Philip Glass-like synth grooves to questionable covers like Tiësto’s dopey trance anthem take on Samuel Barber—it should come as no surprise that line between the two has become blurred over time. In fact, it seems pointless to peg many of today’s artists to either.

“I have always been surprised to hear my albums classified as ‘ambient,'” says Polish composer Michał Jacaszek. “They may have ambient elements—like deep reverb or delayed textures—but I prefer an ‘electro-acoustic’ label.”

“I don’t think I’d ever classify my own music in any modern classical sense,” adds producer/12k founder Taylor Deupree. While he’s collaborated with the legendary Japanese composer Ryuichi Sakamoto several times (Disappearance, Perpetual), Deupree sees more parallels between traditional and progressive music forms in the work of his longtime labelmate, Kenneth Kirschner.

“Ken often uses the sounds of traditional classical music,” explains Deupree, “but with very modern and very minimalist compositions. I think that’s where the interest and strength lies in this type of music—where the inspiration comes from people like [Morton] Feldman and [John] Cage.”

That’s certainly been the case with a recent string of records from Mexican producer Murcof and pianist Vanessa Wagner. Last year’s Statea LP reinterpreted everything from John Adams to Aphex Twin, and this summer’s EP.02 pays tribute to Philip Glass, Arvo Pärt, and Morton Feldman without tarring the originals in techno-fusion tropes.

“The piano is the starting point of our project,” explains Wagner. “It’s important that electronic effects do not swallow its sound, even if it is sometimes distorted. Similarly, it also seemed very important to stay true to the scores of composers that we interpret.”

The same can often be said for post-classical provocateurs like Alarm Will Sound, the chamber orchestra famous for flipping Aphex Twin on his already twisted head. The following feature isn’t about concert halls invading the club, however, or vice versa. This is closer to the middle ground where it’s never clear what’s being “played” and what’s being “produced.”

Here are 10 essential classically-inclined electronic albums.

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