Tag Archives: Fujiya & Miyagi

Cavern of Anti-Matter and the Enduring Legacy of Krautrock

Cavern of Anti-Matter

Cavern of Anti-Matter

The return of Cavern Of Anti-Matter is exciting—partly because it’s a consolidation of the band’s own distinct identity. With any new project, the trio’s leader Tim Gane constantly runs the gauntlet of critical and fan expectations, thanks to his considerable body of work with Stereolab. And indeed when COA-M made their first album Blood-Drums in 2013, its low-key release and limited edition made it feel a lot more like a side project than the start of a new chapter. However, following a smattering of singles on other labels, 2016’s Void Beats/Invocation Trex changed all that. Word-of-mouth recommendations spread like wildfire, and its hypnotic synth repetitions and lush production won plenty of fans who’d never even heard of Stereolab. It ended up on quite a few best-of-year lists, and a deluxe reissue of Blood-Drums at the start of 2017 helped to keep the newly-won audience interested. Now, Hormone Lemonade is here, cementing the fact that COA-M are very much their own band, with a sound worth getting fired up about in its own right. Continue reading

The Best Indietronica on Bandcamp

Kesiak Monkoora


“Indietronica” could describe so much music in this world, right up into the heights of the mainstream. From Drake to James Blake to Sampha to Chainsmokers, combinations of digital production with songs of emotional fragility are everywhere. Continue reading

Artists Influenced by Dystopic Novelist J. G. Ballard


Locrian by Jimmy Hubbard.

Once in a while, an author infiltrates popular culture to the extent that they’re recognized by their last name alone. In the case of J. G. Ballard, his writing remains unchallenged in the depth and deviance of its imagination. Since the English novelist passed away in 2009 after a battle with prostate cancer, we now live in a Ballardian world, surrounded by profoundly disquieting and eerily prescient themes he once warned us about—audacious visions of urban decay, exotic technologies, sexual pathology, and environmental collapse.

It is hard to equate the person of Ballard—the widowed father who raised three children in the quiet London suburb of Shepperton, and touched nothing stronger than malt whisky—with the often depraved content of his novels. For his part, Ballard denied his work was driven by doom or negativity; they were, as he put it, “extreme metaphors,” a warning of what might lie just around the next bend.

Ballard hit on a rich seam of inspiration in the mid-to-late ‘70s, turning out novels like Crash, Concrete Island, and High-Rise which would exert a powerful influence on the emerging language of punk, post-punk, and new wave. Groups like The Human League, The Comsat Angels, and Ultravox were all Ballard disciples, and many quoted him explicitly. Joy Division cribbed the song title “Atrocity Exhibition” from Ballard’s 1970 experimental fiction collection, while Daniel Miller, CEO of Mute Records, began his music career as The Normal with a song, “Warm Leatherette,” based on Ballard’s 1973 novel Crash, a self-described “psychopathic hymn” to the erotic potential of the car crash.

Ballard’s influence endured beyond punk. Luke Steele’s psychedelic pop group Empire Of The Sun took their name from Ballard’s most famous book, a demi-autobiographical novel that used his childhood in wartime Shanghai, while Klaxons’ Myths Of The Near Future took their album title from a Ballard short story collection. Meanwhile, the Ballardian influence also leaked into dance music, too—particularly into early dubstep, which took the skippy rhythms of U.K. garage and smothered them in urban dread.

Why have Ballard’s visions proved so enduring? Elizabeth Bernholz, aka Brighton electronica artist Gazelle Twin, believes the author had something to tell us about the world to come. “Ballard predicted the threat and consequences of ultra-conservatism within a fully capitalized society,” she says. “His commentary on English class tribalism, in particular, has felt relevant for at least 40 years. These are the survival handbooks of the near-future.”

Here are some of the best J. G. Ballard-influenced artists on Bandcamp.

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