Tag Archives: electronica

Album of the Day: Croatian Amor, “Isa”

On Isa, Croatian Amor’s Loke Rahbek makes his own chimeric mythology, nodding to historic religious figures and events—the title is a Muslim Arabic translation of “Jesus”—while acknowledging the terrifying power of government and military technology. Rahbek enlists vocal contributions from Alto Aria, Soho Rezanejad, HTRK’s Jonnine Standish, Yves Tumor, and Frederikke Hoffmeier (Puce Mary), perhaps an allusion to a central theme in the record—hope in human connection.  Continue reading

This Week’s Essential Releases: Hardcore Punk, Glitch Pop, Indie Rock and More

7 essentials

Welcome to Seven Essential Releases, our weekly roundup of the best music on Bandcamp. Each week, we’ll recommend six new albums that were released between last Friday and this Friday, plus pick an older LP from the stacks that you may have missed.

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A Beginner’s Guide to Nein Records’ Dark, Diverse Electronica Universe

Nein Records

To call Nein Records prolific would be a serious understatement. In 2018, its fifth anniversary year, the U.K.-based label released 48 singles, two full-length albums, and two compilations. As for everything Nein has put into the world since its inception, label head Neil Parnell, aka Tronik Youth, says he’ll be working on a full tally of that early in the new year. That’s in addition to rolling out their 2019 releases, which began on January 4 with Stockholm Syndrome’s new single, “Lies.” Parnell estimates that he has already planned for the first six months of the year.  Continue reading

Album of the Day: 1five1, “1five1”

The self-titled EP from producer and multi-instrumentalist 1five1 (aka Sandra Annan) is technically her debut, but it doesn’t sound much like one. The Toronto-based producer’s tracks are finely woven and wholly assured, sounding as if she’s been crafting and producing music for years. Influenced by post-dubstep, lo-fi house, and trip-hop, 1five1’s sound draws from iconic outfits like Portishead, even as she completely pushes her own distinctive beats and textures into sophisticated spaces beyond those original inspirations.

From the brief horns and haunting, beautifully layered vocals on dark opener “Blloom,” to the woozy rhythms on “Mila,” and delicate key twinkles on “Heaven,” each track features fine details that create entrancing atmospheres. The cool yet luxurious “Voodoo,” in particular, invites repeat listens, with melodies steeped in sensual, electronic rhythms. There’s a marvelous quality to 1five1’s sound, and its textural richness ensures we’ll be returning to her debut again and again.

-Chaka V. Grier

On “Graft,” Thiefs Experiment With Free Jazz, Hip-Hop, Electronica and Dance

Thiefs

Even the most basic description of the band Thiefs is remarkably complicated. While there is a trio at the core, they are a loose and constantly changing collective of many musicians. The trio itself is transatlantic: bassist Keith Witty and drummer David Frazier Jr. are based in New York, saxophonist/reedist Christophe Panzani in Paris. Each musician doubles on electronics of all varieties. The music they play is a dense bricolage of jazz (free and otherwise), hip-hop, electronica, dance, and musique concrète.

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