The name of Rutger Zuydervelt’s creative identity, Machinefabriek, conjures notions of futuristic industrial dystopias—but, in fact, it came from a rather unremarkable source. “The word, meaning ‘machine factory,’ was on a building that I passed each time I went grocery shopping,” he explains. The upside is that he now has a name that carries with it a kind of cold, imposing authority. The downside is that he’s now regularly approached by people wanting to invite him to things like forklift auctions.
But then again, maybe that could be a good sonic source for him. For nearly 15 years, the Rotterdam-based Zuydervelt has worked both under the Machinefabriek name as well as his own, releasing an almost daunting but also highly varied series of albums, EPs and singles. His work resists easy classification, ranging from louder explosions of sound to minimal murmurs. His stated emphasis is on ‘experimental electronic music,’ a term Zuydervelt says works as well as any, though he adds, “Terms like ‘experimental’ and ‘abstract’ are quite relative, and a lot of my music has an electro-acoustic aspect.”
We interviewed Zuyderfelt—by email, at his request—to talk more about his life and approach to work, as well as how Bandcamp has particularly suited his continually evolving discography.