Tag Archives: David Harrow

The Best Electronic Music on Bandcamp: February 2019

best electronic feb 2019Dance music’s fondness for mining its own past is written into the genre’s origins. DJ and remix culture, whether in disco, hip-hop, reggae or techno, have always been about creating new versions of something that exists already, providing a constant refresh to basic source material. And so it is with this month’s selection, which contains various permutations of electro-funk, jungle, techno, UK bass, acid house, and instrumental hip-hop, almost all of which makes no bones about being rooted in the past. Don’t worry, though, there is radical newness too—it comes from the global south, specifically, South Africa.

View the Best Electronic Music on Bandcamp Archives.

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David Harrow Lived Through Punk, Post-Punk, New Wave, Industrial, and Dub Reggae but Isn’t Stopping Anytime Soon


Adopted Los Angeleno David Harrow has been around the block a few times, but his passion for new possibilities in electronic music shows no sign of dimming. Under his prolific Oicho guise, he’s explored deep dub reggae roots, with a futurist sheen. But the latest Oicho tracks have moved further from reggae tonality and into more abstracted, ritualistic experiments with percussion and space that put him closest to bass music mavericks like Shackleton and Kode 9. All of this, though, is informed by a musical history that stretches back over three decades, and has been colorful, to say the very least.

While still in his teens, at the end of the ‘70s, the east Londoner got swept up in punk and post-punk, playing keyboards with the likes of Genesis P-Orridge’s Psychic TV, Jah Wobble and new wave poet Anne Clark. Always footloose, he spent time in Berlin—in the orbit of industrial godfathers Einstürzende Neubauten—and San Francisco, where he became a house keyboardist/producer for Razormaid Records, including on records by disco icon Sylvester. Later, back in the UK, he fell in with the On-U Sound collective around Adrian Sherwood, regularly working in the studio and on stage worldwide with Lee “Scratch” Perry, Mark Stewart, Bim Sherman and many more. Their work ethic was boggling, their output was stupendous in its volume and influence, but the collective was also chaotic and as dedicated to living on the edge as to sonic innovation.

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