Tag Archives: Cemetery

Six Gloomy Gems From the Dark Punk Revival

Arctic Flowers

Arctic Flowers.

In 2013, during an interview with Danny Gallegos, singer of gloomy Chicago punk group Cemetery, I asked him how he’d categorize his band. I wondered if he thought the term “dark punk” was appropriate. It was a term that was coming into currency at the time, as a way to describe a new community of former hardcore bands who were playing music closer in style to deathrock and post-punk. “I hate the term ‘dark punk,'” Gallegos responded, “because to me that’s redundant. Punk should already be dark. There’s always been a message behind punk that is very bleak and dark in nature.”

But the “dark punk” designation stuck, and not just for Cemetery. It’s jockeyed with other genre tags—goth-punk, deathrock revival, the tongue-in-cheek “G-beat“—to identify a style of darkwave-, post-punk- and anarcho-influenced punk that’s grown out of the hardcore scene since the late aughts, and which gained intensity around 2010-2012. It still continues today. The revival’s early years saw important releases by acts like Lost Tribe, Belgrado, Spectres, Arctic Flowers, Bellicose Minds, and Bluecross.

During the latter part of the last decade, many groups operating in the underground DIY hardcore punk scene found themselves moving away from political D-beat and thrash, and started to explore slower tempos, different effects pedals (the Almighty Flanger, for instance), and moodier or more introspective themes. “You can only play a D-beat so many times,” Brian Gustavson of Spectres said in an interview with Austin deathrock site No Doves Fly Here in 2012. “For me, it was rediscovering ’80s U.K. peace punk that made it seem all right to be into post-punk, new wave, and ‘harder punk’ simultaneously.”

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