Tag Archives: Buscrates

The New Face of Funk & Boogie

Diamond Ortiz

Diamond Ortiz by Danny Spence

In music, the term “boogie” usually refers to early ‘80s funk and post-disco, a sound that peaked in 1984 and relies heavily on drum machines and synthesizers as opposed to the live bands and orchestras of disco. In fact, the sound was in some ways a reaction to disco; a problematic backlash against the music in 1979 resulted in major labels like Epic, Atlantic, RCA, and Capitol pivoting away from the sound. With fewer commercial opportunities in big-budget disco, artists and producers pursued the accessibility of synthesizers and drum machines, which were just beginning to enter the market. But the major labels mostly missed the boogie train; it was indie labels like Salsoul, Prelude, Radar, and West End Records that nurtured the sound. Songs like D Train’s “You’re The One For Me” and Evelyn “Champagne” King’s “If You Want My Lovin,” both released in 1981, are some of the earliest and most well-known examples of boogie. Now, the genre is experiencing a resurgence, after a near decade-long cult following in Los Angeles, San Francisco, and parts of France.

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The Best Hip-Hop On Bandcamp: June 2019

Hip Hop

June’s must-cop hip-hop releases include a dusty ‘90s-inspired South Philly rap outing, an advanced level Nintendo and Sega-themed beat project, and a mammoth 51-track compilation of remixes and rarities from a real deal top tier New York City lyricist. We also investigate a little gem titled The Young Sportsman’s Guide To PISS ’N SHIT.

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