The results of the 2016 U.S. presidential election and Trump’s ensuing cabinet choices have brought the U.S. into line with a worrying global Western move toward the far right (see: Greece, the U.K., France). For marginalized people in the Americas both in and out of the DIY punk scene, all this means is that the curtain’s been ripped back, the chaos exposed—the colonial legacies and the long histories of resistance.
There will surely still be some cliched and irritating calls for punk to “get good again, like it was during Reagan”—as if important punk resistance suddenly stopped in 1992 with a Democratic president. (Anyone who’s been paying attention would beg to differ.) Five-piece San Antonio political punk cabal Amygdala position themselves as part of this ongoing tradition; they started making ferocious, caustic and outspoken hardcore together in 2014, and their 2016 effort, Population Control, certainly pulls no punches. “Semillas,” their latest track, was recorded live in October of 2016 on their recent tour, and features audio of a ceremonial prayer performed by indigenous Guatemalans at a benefit for Standing Rock that Amygdala also played, a powerful statement of pan-indigenous solidarity.
We spoke to Bianca (vocals) and Yole (bass) from Amygdala about the rise in visibility for queer punks and punks of color, how the punk scene at large can become more inclusive, and why punk is so useful still as a sound of resistance.