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Scene Report

Our spotlight on music happening all over the world.
1 to 30 of 306
SCENE REPORT · January 27, 2023
The Anything-Goes Aesthetic of the Lithuanian Experimental Electronic Scene
SCENE REPORT · January 18, 2023
The Women of South West Asian and North African Electronic Music
SCENE REPORT · October 19, 2022
New Zealand’s Daring Jazz Scene
SCENE REPORT · September 19, 2022
Techno in Montevideo, Uruguay
SCENE REPORT · September 12, 2022
The New Vanguard of Polish Jazz
SCENE REPORT · August 30, 2022
Six Bands to Know from Pittsburgh’s Flourishing DIY Scene
SCENE REPORT · August 25, 2022
There’s Room For Weirdos (And Everyone) In Cincinnati’s Punk Scene
SCENE REPORT · August 19, 2022
New, Weird Vienna
SCENE REPORT · August 15, 2022
The Adventurous Sound of the São Paulo Underground
SCENE REPORT · July 15, 2022
New Adventures in Folkloric Music from Eastern Europe
SCENE REPORT · July 14, 2022
The “Outernational” Sound of the Bucharest Underground
SCENE REPORT · June 23, 2022
Electronic Fusion in India
SCENE REPORT · June 20, 2022
Exploring Australia’s Contemporary R&B Scene
SCENE REPORT · May 23, 2022
Exploring Neo-Soul in Argentina
SCENE REPORT · May 12, 2022
Exploring the Americana Scene in Australia and New Zealand
SCENE REPORT · April 26, 2022
Klezmer’s DIY Revival Looks Back to Move Forward
SCENE REPORT · April 21, 2022
The New Vietnamese Experimental Vanguard Was Raised Online
SCENE REPORT · April 20, 2022
Free Jazz and Hip-Hop Collide in the New Tokyo Beat Scene
SCENE REPORT · April 18, 2022
Revisiting the Iranian Electronic Underground
SCENE REPORT · April 15, 2022
Experimentation and Flux in Kyoto
SCENE REPORT · April 13, 2022
A Guide to Seoul’s Experimental Electronic Scene
SCENE REPORT · April 12, 2022
Checking In With the Turkish Punk Underground
SCENE REPORT · April 11, 2022
A Guide to Chicago’s Young Indie Scene
SCENE REPORT · March 18, 2022
Seoul’s Sorrow Club Bridges the Club and the Gallery
SCENE REPORT · March 18, 2022
Inside Paraguay’s Collaborative Electronic Scene
SCENE REPORT · February 24, 2022
New Directions in Gwoka
SCENE REPORT · February 22, 2022
Off Campus: Lawrence, Kansas
SCENE REPORT · February 17, 2022
Olympus Rocks: Where to Start with Greek Power Metal
SCENE REPORT · February 09, 2022
Karina Utomo’s Indonesian Metal Favorites
SCENE REPORT · January 26, 2022
The Secret World of Chinese Indie Pop
← Older posts ← Older posts

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HIDDEN GEMS · February 08, 2023
Slowpho’s “Hi-Fi Sounds for Young Norwegians“ Is a Time Capsule 
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ALBUM OF THE DAY · February 07, 2023
Evita Manji, “Spandrel?”

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