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FEATURES · October 23, 2020
“UPRIZE!” Is A Haunting Score From South African Collective SPAZA
FEATURES · October 22, 2020
Taiwanese Film Composer Lim Giong Revives a Cult Classic in New Tribute Compilation
FEATURES · October 22, 2020
Boy Pablo Showcases His Chilean Roots On Optimistic Debut Album “Wachito Rico”
FEATURES · October 21, 2020
Jneiro Jarel Looks To the Future on “After A Thousand Years”
FEATURES · October 21, 2020
With The Twilite Tone, Anthony Khan’s 30-Year Career Recieves A Thrilling Reset
FEATURES · October 20, 2020
After Two Decades of Grinding, Rochester Rapper Eto Breaks Through
FEATURES · October 20, 2020
Cargo Cults Makes Snappy Political Commentary on “Nihilist Millennial”
FEATURES · October 20, 2020
On “Custom Made Life,” L.A. Producer Bei Ru Filters His Armenian Heritage Through Hip-Hop
FEATURES · October 19, 2020
Composer Jacqueline Thibault, aka Laurence Vanay, is an Unsung Hero of the French Underground
FEATURES · October 19, 2020
Rescued From Obscurity, The Heshoo Beshoo Group’s Debut is a South African Jazz Classic
FEATURES · October 19, 2020
“Cloud Rap” No More: Squadda B of Main Attrakionz Returns Recharged
FEATURES · October 16, 2020
Jazz Pianist Lafayette Gilchrist Brings Funk, Go-Go, & More to “Now”
FEATURES · October 16, 2020
Helena Deland’s Self-Determined “Someone New” is a Record All Her Own
FEATURES · October 15, 2020
Open Mike Eagle Gets Personal on “Anime, Trauma and Divorce”
FEATURES · October 15, 2020
Dorian Electra’s “Agenda” is Full of Experimental Pop Mischief
FEATURES · October 14, 2020
“Fall Guys” Soundtrack Exults in High-Energy, Wonderfully Weird Electro Pop
FEATURES · October 13, 2020
James Tillman Introduces His “Silk Noise” Sound on “Modern Desires”
FEATURES · October 13, 2020
São Paulo Guitarist Kiko Dinucci Follows His Muse to Post-Punk, Samba, Avant-Garde, and Beyond
FEATURES · October 12, 2020
Special Touch’s “Garden of Life” is a UK Street Soul Classic
FEATURES · October 09, 2020
Shamir Wants to Make Pop Music Less Predictable
FEATURES · October 09, 2020
On His Long-Awaited Solo Debut, Greg Puciato Ventures Into Uncharted Territory
FEATURES · October 08, 2020
The Enduring Appeal of Rose Melberg, Indie Pop’s Most Prolific Songwriter
FEATURES · October 08, 2020
As Golden Donna and Auscultation, Joel Shanahan Explores The Far Reaches of Electronic Music
FEATURES · October 06, 2020
French Trio Liquid Flesh Recaptures The Fun Of B-Movie Cinema and Early Death Metal
FEATURES · October 02, 2020
Irish Rapper Denise Chaila’s “Go Bravely” Confronts the Complexities of Identity
FEATURES · October 02, 2020
Wax Chattels Dredge the Gloomiest Depths of New Zealand’s Rock Underbelly
FEATURES · October 01, 2020
Namir Blade Travels To Another Planet on “Aphelion’s Traveling Circus”
FEATURES · September 30, 2020
Rising R&B Artist Fielded Finds Strength in Vulnerability On “Demisexual Lovelace”
FEATURES · September 29, 2020
A Guide to Aaron Turner’s Emotional Trip Through Heavy Metal
FEATURES · September 29, 2020
With Machine-like Flows and Vivid Wordplay, Rome Streetz is an MC to Watch
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FEATURES · January 19, 2021
William Parker Accentuates the “Free” in Free Jazz
LABEL PROFILE · January 19, 2021
Ron Morelli’s Label L.I.E.S. is a Home for Electronic Music That’s Draped in Shadows
HIDDEN GEMS · January 19, 2021
Lena Platonos Predicted Our Computer-Crazed Future on 1985’s “Gallop”

Latest see all stories

FEATURES · January 19, 2021
William Parker Accentuates the “Free” in Free Jazz
LABEL PROFILE · January 19, 2021
Ron Morelli’s Label L.I.E.S. is a Home for Electronic Music That’s Draped in Shadows
HIDDEN GEMS · January 19, 2021
Lena Platonos Predicted Our Computer-Crazed Future on 1985’s “Gallop”
ALBUM OF THE DAY · January 19, 2021
Nahawa Doumbia, “Kanawa”
BIG UPS · January 15, 2021
Michael Imperioli Picks His Bandcamp Favorites
ALBUM OF THE DAY · January 15, 2021
Patricia Brennan, “Maquishti”

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