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Eli Enis Contributor

1 to 18 of 18
FEATURES · June 23, 2020
Mong Tong 夢東’s Psych Pop Comes With Its Own Mythology
ALBUM OF THE DAY · June 17, 2020
Various Artists, “Saving For a Custom Van”
FEATURES · April 20, 2020
Melkbelly Are a Noisy, Post-Punk “Family Band”
LABEL PROFILE · November 18, 2019
The Story of Orindal Records, Family Label-Turned Folk Utopia
BIG UPS · October 18, 2019
Lightning Bolt’s Brian Chippendale Picks His Bandcamp Favorites
FEATURES · September 23, 2019
India’s aswekeepsearching Make Sky-Scraping Post-Rock for the Soul
ALBUM OF THE DAY · September 23, 2019
Twin Peaks, “Lookout Low”
FEATURES · September 19, 2019
Weeping Icon’s Roaring No Wave Asks Probing Questions About Modern Life
BIG UPS · August 14, 2019
Triple B Records’ Sam Yarmuth On Six Bands He Wishes He’d Signed
BIG UPS · July 12, 2019
Roddy Bottum Picks His Favorites on Bandcamp
FEATURES · June 07, 2019
On “Midnight,” Stef Chura Gets Loose
FEATURES · April 24, 2019
Aries Creates a “Super Pop” Paradise on “Juramento Mantarraya”
FEATURES · January 07, 2019
Sir Babygirl’s Absurdist Bubblegum Pop Perfection
SCENE REPORT · November 19, 2018
The Humid Heaviness of Greenville, SC’s Metal Underground
CERTIFIED · September 24, 2018
Artist of the Week: Lala Lala’s “The Lamb” is About “Learning and Unlearning”
ALBUM OF THE DAY · December 15, 2017
Coma Cinema, “Loss Memory”
ALBUM OF THE DAY · December 06, 2017
Fits, “All Belief is Paradise”
ALBUM OF THE DAY · December 05, 2017
Mo Troper, “Exposure & Response”

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