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Brad Cohan
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1 to 14 of 14
FEATURES
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July 22, 2020
Mid-’00s Noisemakers Yellow Swans Bring Their Back Catalog Into the Digital Age
ALBUM OF THE DAY
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November 27, 2018
Harriet Tubman, “The Terror End of Beauty”
FEATURES
·
August 29, 2018
How Sean Lennon Rescued Primus Side Project Beanpole from Oblivion
ALBUM OF THE DAY
·
July 31, 2018
Bellini, “Before the Day Has Gone”
FEATURES
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June 11, 2018
The Avant-Garde Adventures of Yeah Yeah Yeahs Drummer Brian Chase
ALBUM OF THE DAY
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June 11, 2018
Cheer-Accident, “Fades”
FEATURES
·
May 09, 2018
Guitarist Nick Millevoi Takes Jamming Cues From Neil Young & Crazy Horse
FEATURES
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April 11, 2018
Thollem Brings a Punk Rock Work Ethic to Experimental Piano Music
FEATURES
·
November 07, 2017
How Metalhead Trombonist Dan Blacksberg Is Leading The Klezmer Revival
FEATURES
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August 22, 2017
Double Bassist Damon Smith is a Driving Force in Out-Jazz
FEATURES
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June 30, 2017
Arto Lindsay Fuses American No Wave With Samba and Soul
FEATURES
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May 08, 2017
Chris Pitsiokos Makes His Home Between Free Jazz and Noise
FEATURES
·
February 13, 2017
The Tuba-Driven Doom Metal of Dan Peck
FEATURES
·
October 28, 2016
Extreme-Music Pioneer Weasel Walter in Back Catalog (and Beyond)
Top Stories
FEATURES
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January 19, 2021
William Parker Accentuates the “Free” in Free Jazz
LABEL PROFILE
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January 19, 2021
Ron Morelli’s Label L.I.E.S. is a Home for Electronic Music That’s Draped in Shadows
HIDDEN GEMS
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January 19, 2021
Lena Platonos Predicted Our Computer-Crazed Future on 1985’s “Gallop”
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FEATURES
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January 20, 2021
The Inventive, Uplifting Jazz of Saxophonist Muriel Grossmann
ALBUM OF THE DAY
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January 20, 2021
Lande Hekt, “Going to Hell”
FEATURES
·
January 19, 2021
William Parker Accentuates the “Free” in Free Jazz
LABEL PROFILE
·
January 19, 2021
Ron Morelli’s Label L.I.E.S. is a Home for Electronic Music That’s Draped in Shadows
HIDDEN GEMS
·
January 19, 2021
Lena Platonos Predicted Our Computer-Crazed Future on 1985’s “Gallop”
ALBUM OF THE DAY
·
January 19, 2021
Nahawa Doumbia, “Kanawa”
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