From post-punk bands digging raps about emergency rooms to electronic acts professing their love for stripped-down folk music, there are plenty of ear-turning surprises and enlightening suggestions in part one of a feature in which some of our favorite bands from 2015 tell us about the music they discovered this past year. When they’re not busy recording, performing, or rolling around naked in copious amounts of royalty checks, here is what a few bands found inspiring:
Elastic-tongued wordsmith Milo released the stellar, Kenny Segal-produced So The Flies Don’t Come album in 2015. It’s a tasty slice of smart, challenging, unique hip-hop.
“S.al’s top-of-the-year release fear, uncertain was forged in the smog of putrid LA nights. My boy went deep and found his outside voice. My halberd is right next to my desk. I’ll back you, bro.”
“Cavanaugh is high art from the two sharpest rap minds working at present. That Open Mike Eagle produced the whole thing is also stunning. I hear you talking ’bout who you want to be.”
“Busdriver writes from a vantage point stacked atop nearly two decades of rapping. Master class lyricism from art rap’s shimmering source code in man form. Driver is so flippant on this track!!!!!!! I love it, he’s earned that tone. ‘Fuck an absolute truth.’”
Vulfpeck topped the release of their October 2015 album with an appearance on The Late Show with Stephen Colbert.
“This track has a forward momentum. Mocky’s record rocks.”
“Run these through Vulf Compressor and it’s instant Madlib.”
“See this duo live. Cat plays drums and organ pedals at the same time.”
Julia Kent blended looped cello, electronics, and found sounds on her beautiful and melancholic Asperities LP, released by the Leaf Label.
“From a restrained, slightly ominous beginning, this track builds to a plangent and complex wave of sound, creating an oneiric and emotionally compelling journey.”
“Cosmic drones and shimmering textures float hypnotically in space, conjuring infinite distances and other worlds.”
“A gorgeous, melancholy pop song: Barbara’s voice floats above delicate but propulsive programming and piano, moving through bittersweet, mercurial harmonies.”
This Melbourne trio impressed in 2015 with their 7-track EP of slowly unfurling, electronic indie pop songs.
“Sufjan has been someone we have always admired and related to musically since we began I’lls. From his early releases, where we saw how ridiculously complex and beautiful his arrangement could be, its amazing that he’s almost gone backwards, simplifying everything and showing how astounding a songwriter he really is. The dude can write a tune.”
“Crepes make and record beautiful music that sounds so familar. Incredibly recorded, the harmony works so strongly with the melodies. Listen to ‘Ain’t Horrible’ and you’ll understand.”
“Katie was an unknown Melbournian who popped out of nowhere on Orchid Tapes. The release is unique. And incredibly well recorded. Very intrigued to see where she ends up.”
Car Seat Headrest
Will Toledo made the leap from self-releasing music machine to Matador recording artist in 2015. We’re looking forward to what comes next.
“I found this album at the beginning of the year. I give it an A+ for general presentation, including the impressionistic lyrics booklet included with the download. “DRIVING IN MY CAR” is a classic Clash-esque chillout session after the surprisingly heavy emotional arc of the album.”
“Maybe this is cheating, as I was lucky enough to lend a helping hand in the making of this album, but I can make no claim over the genius of these works—Speaking Spanish, in particular. This song sounds the way true love should feel.”
“I heard this song blasting at a venue before one of our shows; at first I thought it was someone doing a really impressive soundcheck. Unfortunately, it was just an excellent dance track.”
Post-punk band Publicist released their dark and dynamic new LP on Relapse records this Fall.
“Wrest is my favorite one-man Black Metal maker and beyond. His creativity is in its own league and I really love his approach to drumming. On top of that, I always anticipate what he’s going to do next. The production on this album really captures his ideas more than any other album. Massive Conspiracy is still my bible of the genre, but this is a very close second and this song in particular is a nice nod to early Finnish Death Metal, which I love.” (DW)
“Billy Woods is my favorite rapper and one of my favorite lyricists, period. His 2015 album, Today I Wrote Nothing, is on my top ten if anyone asks me to make a top ten. This song is first among equals on an incredibly strong album, but I picked it because I have never had insurance and have therefore spent an inordinate amount of time waiting in emergency rooms and this, while heightened by the unremitting terror that is Woodhull Hospital in Bushwick, gets the general vibe of all of them exactly right.” (ZL)
“KEN mode’s Success is a killer album for a lot of reasons. It’s catchy and aggressive, and it’s a lot of fun. It’s also pretty goddamned inspiring. These dudes have put out a lot of music over the years, and this record has them sounding completely fresh and energized. The whole album is sick, and this song, to me, is a great representation of the whole thing.” (DO)
Sarah Williams White
Paul’s kid sister stepped out strong with a dreamy, soulful, folksy, psychedelic LP, recently released by First Word Records.
“Eska just has this wonderful energy about her, so many layers to her music. A kindred Lewisham soul. Beautifully recorded.”
“The huge spirit of Ed (Tenderlonious) and co., with hearts on sleeves and good vibes.”
“Love the space in this track!! And that vocal. My “getting ready” track, thinking of old friends.”
Señor Gus dropped an album, heavy on theory, samples and grooves, for the mighty DFA label this October.
“Extreme production values, absurdist class warfare, the vocals are gone, the humor is still here, and the joke is on us.”
“One of the million genius aliases of well-known/unknown introvert/extrovert Dimitris Papadatos (KU / Jay Glass Dubs etc). Also – more awesomeness from the same label http://nuttywombat.com/album/big-fat-lips-improbable-ep.”
“Where babis bozoglou decided to engage in more direct rural activities. Happy times, indeed.”
This electronic-tinged, post-rock outfit returned with an epic and euphoric new album, and a bevvy of remixes in 2015.
“Haring opened up for us at La Botanique in Brussels this year, and we took a copy of this EP with us for the van. This track will always remind me of driving with the sun setting over the Alps on the horizon…”
“(Martin) Teff played this in the van earlier this year whilst we were on our way to one festival or another — total earworm head-nodder that manages to sound old and new at the same time…”
“I was at this outdoor Juffage show in the Summer of 2014 and when he closed on this track it was such a sweet moment. When he released this live recording a year later, it was as special as I remembered…”