BEST HIP-HOP The Best New Hip-Hop On Bandcamp By Phillip Mlynar · March 22, 2017

Best New Hip Hop March

Now that the winter weather is finally starting to show signs of ending, it seems that many of your favorite artists spent the season holed up making some fantastically weird hip-hop music. From dark, unnerving soundscapes to West Coast lyrical flights of fancy, here’s a round-up of March’s essential hip-hop releases.

Eric BiddinesThe Local Cafe

Merch for this release:
Compact Disc (CD)

Delray Beach rapper Eric Biddines is an unabashed coffee addict, and his first offering of 2017 is designed to be listened to with a cup of java in hand. Serving up vignettes of life from Florida’s forgotten towns and enclaves, Biddines uses a quick-witted flow that morphs into an endearing sing-song style when the mood strikes (see “Town’s First Storm”). On The Local Cafe, Biddines drops heartfelt raps over wistful, southern-rooted production. Check out the relaxed and shimmering “Coffee Love” for a soothing introduction to the Biddines blend.

Westside GunnRiots On Fashion Avenue

In tandem with his cohort Conway, Buffalo native Westside Gunn has released some of the most gloriously rugged hip-hop of the last year. This solo project sticks to rap’s quintessential foundation—boisterous drum patterns and menacing bass lines booming from the MPC. This time around, Mil from the Paris-based Effiscienz crew is in charge of production duties, while Westside Gunn’s impassioned vocals cast him as the brilliant offspring of M.O.P.’s Lil Fame and Ghostface—not least when he opines, “I don’t trust a motherfuckin’ soul/ Except the sole on my Gucci loafers.”

Big Block SilversBOLD

Merch for this release:
Vinyl LP

A hip-hop mini-group consisting of West Coast rapper Blame One, producer Harry Apollo and live instrumentalist JonJ, Big Block Silvers’ jump-off EP BOLD introduces them as a trio with innate chemistry. On the motivational “Understanding,” Blame One outlines, “I make music for grown folks and young cats with wise minds.” True to the claim, what follows is a smartly-written six-track project that takes in worldly ruminations on the bluesy guitar-helmed “Crime In The City,” all-out braggadocio forays on “Run The Show,” and metaphysical musings on the closing track “Foreverrrr,” which, for good measure, freaks an Andre 3000 vocal grab into a nice hook.

EdanBeauty And The Beat


Merch for this release:
Vinyl LP, 2 x Vinyl LP, Compact Disc (CD)

Available on Bandcamp for the first time, Boston-to-Brooklyn transplant Edan’s 2005 album endures as a vivid collage of erudite bars, referencing both pioneering Herculoid parties in the South Bronx and fish fillet sandwiches over psychedelic samples and furious drum breaks. “Funky Voltron” swings the session into swaggering motion as the Humble Magnificent trades tag-team rhymes with guest rapper Insight, while elsewhere Percee P, Mr. Lif and Dagha pass through with syllable sharp appearances. A bonus Cut Chemist remix of the dynamic “Torture Chamber” ends the set on a rousing note.

Dedekind CutThe Expanding Domain (ded005) EP

Dedekind Cut

Merch for this release:
Vinyl LP

You might know Lee Bannon as the producer who’s hooked up soulful boom-bap beats for Joey Bada$$ and his Pro Era camp, but when he slips into his Dedekind Cut guise, he travels to the far-out side of the sonic spectrum. Conceived during the fall and winter, The Expanding Domain (ded005) takes the producer’s hip-hop background and churns it into a mix of noise and ambient influences with bewitching—and sometimes demonic-sounding—effects. But just as tracks like the clattering “Fear In Reverse 2” seem like there’s to be no let up with the relentless audio attack, “Das Expanded, Untitled Riff” caresses the listener into a zone of gentle contemplation.

Ray West and Dave DarSun Don’t Chill

Merch for this release:
Vinyl LP

Supastar Dave Dar has worked as an engineer for artists as renowned as Common, Santana and Mary J. Blige for nearly two decades now. With Sun Don’t Chill, he steps from behind the boards, rhyming over a selection of beats hooked up by Ray West. Veteran mic men Percee P and Prince Po pass through to add lyrical gravitas to the nostalgic “Home,” but the soul of the project is “Art Of Diggin’,” a mellow team-up with A.G. that breaks down the science of hunting for samples while giving a salute to the legendary Breakbeat Lou and other vinyl collectors.

Cryptic OneCrypstramentals Volume 13 – Beataday 2 Second Half

An alumni of New York City underground royalty the Atmos Family, Cryptic One’s instrumental soundscapes are constructed around nostalgic minor key piano and rolling drum loops. The elegiac pairing of “Sunset Salutations” and “First Sunset Of 2016” brings to mind DJ Cam’s formative trip-hop work, while “Hadoken!” pares down the formula to usher the listener through a secret mystical journey. Consider Crypstramentals music to zone out to in the most blissful way.

Boldy JamesDJ Butter Presents… The Art Of Rock Climbing

Boldy James

2013’s My 1st Chemistry Set announced Detroit’s Boldy James as a hardrock spitter capable of kicking street sermons with equal parts grit and verve. Here, James links with DJ Butter, staying true to form: “Liquid To A Solid” establishes the steely vibe of the project as he drops reminisces about his days hustling with a StarTAC beeper in hand over a beat anchored by cavernous piano stabs, while “Heavy In The Game” punches home with brags about his “brick talk.” A fitting collaboration with golden era icon Kool G Rap on “Married To The Streets” solidifies Boldy’s growing status as he matches G Rap’s splatter-gun syllables step for step.

Pigeon JohnRap Record

With stints in LA Symphony and the Quannum collective of artists, Pigeon John’s MC credentials are fully in check. Rap Record opens with the sparse and quirky “White Marlboro,” which features our host “on the beach from a little boat.” “Beautiful Day” calls in favors from West Coast allies DJ Nobody and Souls Of Mischief’s Opio to convey relaxed thoughts over a slice of sun-kissed production, while the off-kilter vibe of “Ice Cream”—which brings to mind J Dilla’s production for A Tribe Called Quest—and the electric guitar-spiked “The Wall 2” showcase Pigeon John’s self-assured flow.


Phillip Mlynar


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